![]() “I have spent over a year working tirelessly to get the sound I needed out of my existing console and just never achieved it. Pair this with a 5060 and you'll basically have yourself a mini 5088 for less than a 1/4 of the cost.” Silk is like hitting the ‘sweet spot’ but without the balancing act. ![]() “I'm only one album in and all I can say is, this thing kills it! It really does feel like mixing on a console without faders. This box helps create a very three-dimensional mix and there are so many different ways to use it.” It blew my summing out of the water (which was still really good, just a more sterile feel). I purchased the unit and did a few mixes on it and my jaw dropped. “I am really at a loss of words to describe how good this product is. I look forward to each RND release, and the 5059 did not disappoint me in any way.” The 5059 is a unique summing mixer and would impart a variable sonic palette and novel routing options to any hybrid DAW setup. The 5059 boasts not only the Neve sonic signature, but its flexibility is well suited for modern applications of processing. ![]() “There are many summing mixers, each sporting various features and routing options, but the Satellite 5059 is the only one deserving of the Rupert Neve name. “When I used to spend more time mixing on large-format analog boards, there was a certain sweet spot at which I could drive the mix bus to get just the right amount of saturation, and by using the Satellite's Silk modes, I could create that same sweet spot at almost any operating level.” “Having 32 channels of Rupert Neve Designs summing is absolutely central to my set up…the headroom is spectacular and the detail is amazing.”ĪC/DC, Motörhead, Cheap Trick, Foreigner, Bob Marley and the Wailers through that summing ’s unbelievable the effect that it has.” Unlike EQ, these Silk & Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.ĭrive the mix buss hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” mixes. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncolored. The ASMH will provide secure facilities to enable research and development collaborations between industry, leading Australian universities and CSIRO as well as the design, prototyping, manufacturing, integration, and testing of large satellites and payloads.Silk + Texture = Classic Sounds on DemandĮvery mix demands its own treatment. The Australian Satellite Manufacturing Hub (ASMH) provides this capability and is a key enabler for these types of missions. To realise a mission of this scale and complexity, specifically designed and manufactured facilities for Earth Observation missions are required. The Australian Government’s $1.16 billion 2022 Federal Budget commitment to grow Australia’s sovereign space industry through a National Space Mission for Earth Observation is a clear indication of the Commonwealth’s dedication to developing Australia’s space industry. Australia’s first Satellite Manufacturing Hub for larger Earth Observation satellites up to 500 kg in weight will be established in the new Poplars Innovation Precinct in South Jerrabomberra, NSW and at the UTS Tech Lab, Botany, NSW, through a $71 million investment and collaboration between Electro Optic Systems (EOS), Nova Systems, UTS Tech Lab, Gilmour Space, and the federal and NSW governments.
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